Dima is an American-Argentine music producer, curator, and researcher based in Barcelona. Her work examines sound as a medium for constructing alternative narratives, rooted in personal and emotional experiences and inspired on the interplay between myth, lineage, and deep listening methodologies. Drawing on approaches rooted in the practice of Pauline Oliveros, Dima integrates theoretical and practical frameworks to investigate the epistemological and ontological dimensions of listening.
Her research explores how sonic environments and listening practices can act as tools for rethinking memory, identity, and collective processes. She is particularly interested in how sound functions as a narrative device, bridging individual experiences and broader cultural structures. Dima’s approach is driven by a commitment to experimental inquiry, combining conceptual rigor with auditory experimentation.
Through the use of field recordings, archival audio, and experimental techniques, her projects aim to engage with sound as a site of knowledge production and interaction. Her work situates listening as both an analytical and creative practice, offering new pathways
for emotional and cultural exploration.
In parallel, she leads Irradia, a non-profit platform dedicated to sonic exploration, hosting listening events and music gatherings in unconventional contexts. By connecting local and international artists within the ambient and experimental music scenes, she creates spaces that nurture emotional engagement with multidisciplinary creative expressions.
Her research explores how sonic environments and listening practices can act as tools for rethinking memory, identity, and collective processes. She is particularly interested in how sound functions as a narrative device, bridging individual experiences and broader cultural structures. Dima’s approach is driven by a commitment to experimental inquiry, combining conceptual rigor with auditory experimentation.
Through the use of field recordings, archival audio, and experimental techniques, her projects aim to engage with sound as a site of knowledge production and interaction. Her work situates listening as both an analytical and creative practice, offering new pathways
for emotional and cultural exploration.
In parallel, she leads Irradia, a non-profit platform dedicated to sonic exploration, hosting listening events and music gatherings in unconventional contexts. By connecting local and international artists within the ambient and experimental music scenes, she creates spaces that nurture emotional engagement with multidisciplinary creative expressions.